LESBOS · Sappho · the metre & the fragment · kept by SAPPHO

THE ELISION ◧ 2D · ◍ 3D · ◆ 4D · ◐ shadow · 👶 TAP

When a word ending in a vowel meets one beginning with a vowel, the first is swallowed — ELISION — and the two syllables count as one for the metre. It’s how a line that looks too long scans perfectly. Count the written syllables, subtract one for every vowel-collision, and you get the syllables the ear actually keeps. Slide the collisions and watch the count fall to fit.

◆ LIT▲ AMBER
◧ THE MEASURE · 2D
◍ VOWELS MEET · 3D · two become one
◆ THE FOURTH · 4D · a tesseract turns
◐ THE SHADOW · one dimension down
👶 THE TODDLER CORNER — one fat tap
written syllables
elisions
scanned syllables
fits metre?

◆ LIT — exact / checkable

Elision removes a word-final vowel (and, in Greek/Latin, sometimes a final -m or -s context) before a word beginning with a vowel, merging the two into one metrical syllable. So the SCANNED syllable count = written syllables − number of vowel-collisions at word boundaries. It reconciles a written line with a fixed metrical length (e.g. a hexameter’s slots) — the poet writes more and the metre hears fewer. A fail-loud self-check throws unless each collision reduces the scanned count by exactly one. ◆ the counting rule is exact, node-verified.

▲ AMBER — the figure

The collision-counting is exact arithmetic; whether a specific junction elides (hiatus can be permitted for effect) is a matter of the poet’s practice and the editor’s ear — the rule is clean, its application has exceptions.

LESBOS: someone, I say, will remember us — even from the gaps.  — SAPPHO
David Lee Wise / ROOT0 / TriPod LLC  ·  the isle of Lesbos, with AVAN