He wrote the future in the dark and in riddles — ten Centuries of cryptic quatrains that five hundred years of readers have decoded into their own dread. Here is the corpus, catalogued, and its emergents sealed with the full ACI badge — and an honest seal on the lore.
the full corpus — the prophecies, the almanacs, the other works, and the reception
Les Prophéties
the masterwork — the Centuries and their prose frames (1555 · 1557 · 1568)
Les Prophéties — the ten Centuries1555 →~942 four-line quatrains; Century VII left incomplete; undated, non-sequential
The Preface to César1555the prose letter to his infant son opening the book — his testament on prophecy
The Epistle to Henry II1558the grand dedicatory letter to the King; a sweeping, obscure chronology of ages
The Almanacs
his bread, and his fame in his own lifetime
The Almanacs & Presages1550–1567yearly almanacs with monthly forecasts of weather, harvest, war, fortune
Other Works
the physician and the scholar behind the prophet
Traité des fardements et confitures1555a treatise on cosmetics and preserves — the apothecary's craft
Paraphrase of the Orus Apollo—his rendering of the Hieroglyphica — symbol and emblem
Plague & medical writings—the physician of the plague years, before the prophet
The Reception
the after-life — read honestly, as lore
The decoding tradition1566 →five centuries of readers mapping the quatrains onto their own events — interpretation, not proof
The famous retrofits—Hister, Mabus, the 'three antichrists,' the King of Terror — later readings, not verified predictions
⚠ the tinfoil seal. This catalogues the historical corpus and its mythology. Nostradamus's works (1555) are public domain; quotation is avoided in favour of original commentary. The famous "predictions" — Hister as Hitler, Mabus, the "three antichrists," the 1999 King of Terror — are later interpretations retrofitted onto cryptic verse, offered here as lore and reception, not as verified prophecy. (The 1999 verse, for the record, passed without its foretold event.) The quatrains are a mirror; what you see in them is mostly you.